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Smart Summary

Factual and Procedural Background

Jack Darrell brought an action against Joe Morris Music Company and others seeking to enjoin the infringement of a musical copyright. The District Court for the Southern District of New York ruled in favor of the defendants. Darrell appealed this judgment to the Circuit Court of Appeals for the Second Circuit.

Legal Issues Presented

  1. Whether the District Court judge's finding that Sherman and Silver did not copy the plaintiff's composition was "clearly erroneous" under Rule 52(a) of the Rules of Civil Procedure for District Courts.
  2. Whether the similarity between the two compositions and evidence of access sufficed to establish copyright infringement.
  3. Whether anticipation of a musical theme invalidates a copyright.

Arguments of the Parties

The opinion does not contain a detailed account of the parties' legal arguments.

Table of Precedents Cited

Precedent Rule or Principle Cited For Application by the Court
Arnstein v. Marks Music Corporation, 2 Cir., 82 F.2d 275 Recognition that simple, trite musical themes are likely to recur spontaneously and that similarity alone does not prove copying. The court cited this precedent to support the conclusion that the similarity between the songs did not necessarily falsify the defendant Silver's denial of copying, especially given the existence of earlier pieces with similar themes.

Court's Reasoning and Analysis

The court focused on whether the District Court judge's factual finding that the defendants did not copy the plaintiff's composition was clearly erroneous. The plaintiff's case relied heavily on the substantial identity of an eight-note sequence that recurred frequently in both songs, making them sound very similar. However, the court found the evidence of access unpersuasive: the only witness to suggest access testified about an event seven and a half years before the defendants' song was composed, and the plaintiff's song had limited publicity. The defendant Silver denied ever hearing the plaintiff's song, and the court found no reason to overturn that finding.

The court also emphasized that simple musical themes often recur independently because only certain note sequences are pleasing and suitable to popular tastes. The existence of earlier compositions containing similar sequences reinforced the judge's conclusion that similarity did not prove copying. The court addressed a concern that the judge might have mistakenly believed anticipation invalidates a copyright, but held that this did not undermine the finding relied upon. The plaintiff had the opportunity to clarify this issue before appeal but did not do so, and thus this issue was fatal to the plaintiff's case.

Holding and Implications

Judgment affirmed.

The court upheld the District Court’s decision rejecting the claim of copyright infringement. The direct effect is that the plaintiff’s copyright claim was denied, and no counsel fee was awarded on appeal. The opinion does not establish new precedent beyond affirming the application of existing principles regarding copying and similarity in musical works.

DARRELL v. JOE MORRIS MUSIC CO., Inc., et al.

PER CURIAM.

This appeal depends upon whether the judge's finding that Sherman and Silver did not copy the plaintiff's composition was "clearly erroneous" under Rule 52(a), Rules of Civil Procedure for District Courts, 28 U.S.C.A. following section 723c. The strength of the plaintiff's case lies in the substantial identity of a sequence of eight notes in his song and theirs; and indeed, that hardly does justice to the similarity between the two, because the sequence reappears in each song so frequently as to constitute the greater part of each. This makes the two, when rendered, so much alike to the ear, that the supposed piracy appears almost inevitable. Nevertheless, we are not convinced that that conclusion is inescapable. The showing of access was not very persuasive. It is true that Gladys Crane swore that Silver had heard her sing the plaintiff's song in June, 1928, shortly after its composition, and that her mother somewhat dubiously corroborated her. However, that was seven and a half years before the defendants' song was composed, a long time for such a theme to hang in Silver's memory. Meanwhile, the plaintiff's song had had very scant publicity, for although 1,500 copies had been sold, and there had been public performances in 1931, 1933, and 1935, nobody fastened Silver with knowledge of any of these. He denied that he had heard it at any time, and while he may have been mistaken, there is no reason a priori to upset the finding that he was not. We have already said in Arnstein v. Marks Music Corporation, 2 Cir., 82 F.2d 275, that such simple, trite themes as these are likely to recur spontaneously; indeed the defendants have been able to discover substantial equivalents of that at bar in a number of pieces which appeared earlier than the plaintiff's, and while this did not impair the copyright, it serves to fortify the judge's conclusion that the similarity did not falsify Silver's denial. It must be remembered that, while there are an enormous number of possible permutations of the musical notes of the scale, only a few are pleasing; and much fewer still suit the infantile demands of the popular ear. Recurrence is not therefore an inevitable badge of plagiarism.

We are asked to disregard the judge's finding because from what he said at the trial, he seems to have supposed that anticipation invalidates a copyright. We are not perfectly sure that he meant this; but, if he did, we cannot assume that he did not intend to make the finding on which we rely. If the plaintiff had wished to rid himself of that handicap, he should have done so before he appealed; while it stands, it is fatal to his success. We will allow no counsel fee on the appeal.

Judgment affirmed.

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DARRELL v. JOE MORRIS MUSIC CO
(Jul 1, 1940)